Event Details

Workshop Instructors

Boris Boo
Screenwriter, Director

Boris Boo graduated from the Beijing Language and Culture University and has been in the Film/TV industry for more than 20 years. He is one of the few local producers who has a wealth of experience in screenwriting and directing across all types of media. Over the years, he has written numerous scripts, such as feature film Just Follow Law, Sitcom Don’t Worry, Be Happy, Drama While You Are Away and the recent 132 episodes drama Recipe of Life. Since coming in 3rd in the Golden Horse FPP in 2009 with Where Got Ghost?, he embarked on his directorial journey and has directed many films, such as Greedy Ghost, Filial Party and Lucky Boy. Recent online series K.O and Love at Cavenagh Bridge also garnered him a place in the 2017 New York Festivals Best Online Series Finals and winner for 2018 Star Awards, 2019 Best Short Form Drama.

Workshop/s by Boris Boo:

  • 4 September 2021 (Saturday) 3:00PM - 5:00PM (Mandarin session)
  • 16 October 2021 (Saturday) 3:00PM - 5:00PM (English session)
Saleem Hadi
Filmmaker, Theatre Practitioner & Writer

Saleem Hadi is a hybrid storyteller infusing film and theatre across social narrative productions, a filmmaker and bilingual writer, contributing heavily to Singapore’s arts and media industry since 2001. Saleem Hadi runs his own company, BLACSPICE MEDIA, a media-enrichment company specializing in media/arts programmes and doing media productions. He has written, produced and directed 20 short films till date of which some have won in competitions and shown at festivals. In 2017, Saleem Hadi won the 1st Prize for his English short story in the National Arts Council’s prestigious Golden Point Award Literary Competition. In 2021, he was awarded Singapore’s SKILLSFUTURE FELLOWSHIP AWARD from President Halimah Yacob for his immense contributions to the media-arts industry as both a practitioner and educator. Saleem Hadi is currently championing a nation-wide Indian short film archival project, THEINDBOX, under his non-profit arts organisation, Singapore Indian Theatre & Film Explorers (S.I.T.F.E.).

Workshop/s by Saleem Hadi:

  • 12 September 2021 (Sunday) 3:00PM - 5:00PM (English session)
Ang Aik Heng
Producer

In the past 20 years, Aik Heng has produced and directed more than 100 hours of TV shows. His works include multiple award-winning Chinese and English documentaries, docudramas, travelogues, reality programs, tele-movies, drama series and short films- seen on Mediacorp Channel 5, 8, U, CNA and international channels like Discovery and National Geographic Channel. He is now a freelance Executive Producer / Producer / Scriptwriter and a part-time lecturer with Republic Polytechnic.

Workshop/s by Ang Aik Heng:

  • 9 October 2021 (Saturday) 3:00PM - 5:00PM (Mandarin session)
Workshop 1
Topics
  • Journey of Film Production
  • Basic Shot Analysis
  • Technique of Story-telling
Instructor Boris Boo
Date & Time 4 September 2021 (Saturday) 3:00PM - 5:00PM
Language Mandarin
Format Zoom
Workshop 2
Topics Participants will be introduced to key concepts of mobile filmmaking:
  • Story Ideation & Script Development
  • Shot Composition & Shooting Techniques
  • Basics of Editing
Instructor Saleem Hadi
Date & Time 12 September 2021 (Sunday) 3:00PM - 5:00PM
Language English
Format Zoom
Workshop 3
Topics
  • Ideation and Script Development
  • Visual Storytelling - Shot Composition & Shooting Techniques
  • Basics of Editing
Instructor Ang Aik Heng
Date & Time 9 October 2021 (Saturday) 3:00PM - 5:00PM
Language Mandarin
Format Zoom
Workshop 4
Topics
  • Journey of Film Production
  • Basic Shot Analysis
  • Technique of Story-telling
Instructor Boris Boo
Date & Time 16 October 2021 (Saturday) 3:00PM - 5:00PM
Language English
形式 Zoom

Workshop Instructors

Boris Boo
Screenwriter, Director

Boris Boo graduated from the Beijing Language and Culture University and has been in the Film/TV industry for more than 20 years. He is one of the few local producers who has a wealth of experience in screenwriting and directing across all types of media. Over the years, he has written numerous scripts, such as feature film Just Follow Law, Sitcom Don’t Worry, Be Happy, Drama While You Are Away and the recent 132 episodes drama Recipe of Life. Since coming in 3rd in the Golden Horse FPP in 2009 with Where Got Ghost?, he embarked on his directorial journey and has directed many films, such as Greedy Ghost, Filial Party and Lucky Boy. Recent online series K.O and Love at Cavenagh Bridge also garnered him a place in the 2017 New York Festivals Best Online Series Finals and winner for 2018 Star Awards, 2019 Best Short Form Drama.

Workshop/s by Boris Boo:

  • 4 September 2021 (Saturday) 3:00PM - 5:00PM (Mandarin session)
  • 16 October 2021 (Saturday) 3:00PM - 5:00PM (English session)
Saleem Hadi
Filmmaker, Theatre Practitioner & Writer

Saleem Hadi is a hybrid storyteller infusing film and theatre across social narrative productions, a filmmaker and bilingual writer, contributing heavily to Singapore’s arts and media industry since 2001. Saleem Hadi runs his own company, BLACSPICE MEDIA, a media-enrichment company specializing in media/arts programmes and doing media productions. He has written, produced and directed 20 short films till date of which some have won in competitions and shown at festivals. In 2017, Saleem Hadi won the 1st Prize for his English short story in the National Arts Council’s prestigious Golden Point Award Literary Competition. In 2021, he was awarded Singapore’s SKILLSFUTURE FELLOWSHIP AWARD from President Halimah Yacob for his immense contributions to the media-arts industry as both a practitioner and educator. Saleem Hadi is currently championing a nation-wide Indian short film archival project, THEINDBOX, under his non-profit arts organisation, Singapore Indian Theatre & Film Explorers (S.I.T.F.E.).

Workshop/s by Saleem Hadi:

  • 12 September 2021 (Sunday) 3:00PM - 5:00PM (English session)
Ang Aik Heng
Producer

In the past 20 years, Aik Heng has produced and directed more than 100 hours of TV shows. His works include multiple award-winning Chinese and English documentaries, docudramas, travelogues, reality programs, tele-movies, drama series and short films- seen on Mediacorp Channel 5, 8, U, CNA and international channels like Discovery and National Geographic Channel. He is now a freelance Executive Producer / Producer / Scriptwriter and a part-time lecturer with Republic Polytechnic.

Workshop/s by Ang Aik Heng:

  • 9 October 2021 (Saturday) 3:00PM - 5:00PM (Mandarin session)
Workshop 1
Topics
  • Journey of Film Production
  • Basic Shot Analysis
  • Technique of Story-telling
Instructor Boris Boo
Date & Time 4 September 2021 (Saturday) 3:00PM - 5:00PM
Language Mandarin
Format Zoom
Workshop 2
Topics Participants will be introduced to key concepts of mobile filmmaking:
  • Story Ideation & Script Development
  • Shot Composition & Shooting Techniques
  • Basics of Editing
Instructor Saleem Hadi
Date & Time 12 September 2021 (Sunday) 3:00PM - 5:00PM
Language English
Format Zoom
Workshop 3
Topics
  • Ideation and Script Development
  • Visual Storytelling - Shot Composition & Shooting Techniques
  • Basics of Editing
Instructor Ang Aik Heng
Date & Time 9 October 2021 (Saturday) 3:00PM - 5:00PM
Language Mandarin
Format Zoom
Workshop 4
Topics
  • Journey of Film Production
  • Basic Shot Analysis
  • Technique of Story-telling
Instructor Boris Boo
Date & Time 16 October 2021 (Saturday) 3:00PM - 5:00PM
Language English
形式 Zoom

Tips for Beginners

Microfilm Production - Tips for Beginners

*Prepared by Ong Chao Hong, Ngee Ann Polytechnic Associate Lecturer

First mission: A script


  1. Study other microfilms to get a sense of the story structure and production scale.
  2. Study the 3-act structure:
    • Setup: introduce characters and setting
    • Confrontation: a series of obstacles or challenges the character faces
    • Resolution: The problem is resolved after a series of struggles

  3. Avoid being overly melodramatic and avoid stereotype characters.
  4. Keep the plot within reason but beyond expectations.
  5. Keep dialogue economical. Every line should either:
    • reveal something about the character and/or
    • move the plot forward.

  6. Keep the film visual and don’t rely too much on talking heads.

Pre-Production
1. Form your crew. A basic film crew might include:
  1. Producer: Organizes and manages the production
  2. Director: the “artistic director” of the film; proviides guidance to actors.
  3. Director of Photography: In charge of the camera and lights.
  4. Sound Recordist: Records sound on set.
  5. Production Designer: designs the overall visual style, source for props and costumes, dresses the set, oversees makeup and hairstyle
  6. Editor: manages the postproduction of the film.
Production
  1. Always check your focus and set your white balance.
  2. Do not overuse zooms and camera movement. Know why you are using a specific effect before using it.
  3. Compose each shot as a painter would compose a painting.
  4. Casting is important. Choose actors of the appropriate age for each character.
  5. Choose appropriate props, costumes, hairstyle, set dressing, etc.
  6. Good, clean sound is important.
  7. Avoid continuity mistakes.
Post-Production
  1. Consider “cutting on action” to make sequences flow more smoothly.
  2. Avoid fancy transitional effects. Again, know why you are using a specific effect before using it.
  3. Observe the 180 degree rule, screen direction and other continuity rules.
  4. Reaction shots during dialogue scenes make the scene more interesting and dynamic.
  5. Select appropriate music to suit the mood, pace, cultural flavor of the scene.
  6. Consider adding appropriate sound effects to enrich the sound design.
  7. Add English subtitles if your film was in Mandarin and Chinese subtitles if your film was in English.
  8. Ensure you have the right export settings before exporting.
  9. Watch through your film after exporting to ensure that there are no glitches.

Ong Chao Hong: I believe there are no definite rules in filmmaking and certainly no right or wrong way. You don’t have to follow everything I say, or agree with everything I say. What's more important is that you believe in your own choices. Nobody ever said that an overexposed shot is "wrong", but you have to be prepared to explain why you chose to use an overexposed shot. You are the artist. You have the choice of expression. Make the choices wisely!