My Singapore Voice

From the chirping of birds in our parks to the friendly reminders at MRT stations, the rhythm of everyday life echoes across our island. Mandarin, English, Malay, Tamil — and of course, the unmistakable flavour of Singlish — together shape Singapore’s vibrant soundscape. Our familiar accents have the power to connect us, no matter how far we travel. From the heartfelt tunes of the Xinyao (新谣)era to the fresh voices of the Xin Kong Xia (新空下)generation, each era brings its unique melody.

The rhythm of daily life, the accents we grew up with, and the music that speaks to the soul all come together to form the sound of Singapore. This sound isn’t just something we hear — it carries the collective memory of who we are. We invite you to draw inspiration from the voices, accents, or music of Singapore for your short film. Tell your story, and let the world hear My Singapore Voice.

Singapore Federation of Chinese Clan Associations

Established in 1985, Singapore Federation of Chinese Clan Associations is the apex body of the Chinese clan associations in Singapore. In 2011, then-Prime Minister Lee Hsien Loong was appointed as our first Patron, followed by Prime Minister and Minister for Finance Lawrence Wong succeeding him as the second Patron in 2024. The Federation's primary objectives are to promote understanding and appreciation of Chinese language, culture and values; to lead the Chinese clan associations in Singapore; as well as organise and support educational, cultural and community activities. The Federation now boasts a membership of 250 associations.

Zhou Zhao Cheng, PhD

Co-Chairman, "My Singapore Voice" Micro Film Competition

Chairman, Youth Committee, Singapore Federation of Chinese Clan Associations (SFCCA)

Board Director, Singapore Chinese Cultural Centre

Heng Boey Hong

Co-Chairman, "My Singapore Voice" Micro Film Competition

Director, Mother Tongue Languages , Curriculum Planning & Development Division, Ministry of Education

Board Director, Singapore Chinese Cultural Centre

Foo Tee Tuan, Associate Professor

Committee Member & Chief Judge, "My Singapore Voice" Micro Film Competition

Research Committee Chairman, Singapore Federation of Chinese Clan Associations (SFCCA)

Director, Centre for Chinese Studies,Singapore University of Social Sciences

Carolyn Pang, PHD

Committee Member, "My Singapore Voice" Micro Film Competition

Assistant Director (Programmes), Singapore Chinese Cultural Centre

Yew Guey Er Roseline

Committee Member, "My Singapore Voice" Micro Film Competition

Head, Partnerships and Engagement

Chinese Media Group, SPH Media Trust

Foo Ce Zhi

Committee Member, "My Singapore Voice" Micro Film Competition

Youth Committee Vice-Chairman, Singapore Federation of Chinese Clan Associations (SFCCA)

Yun Jia, PhD

Committee Member, "My Singapore Voice" Micro Film Competition

Youth Committee Member & Integration Advocate, Singapore Federation of Chinese Clan Associations (SFCCA)

Wang Yue, PhD

Committee Member, "My Singapore Voice" Micro Film Competition

Youth Committee Member, Singapore Federation of Chinese Clan Associations (SFCCA)

Details

“My Singapore Voice” Micro Film Competition accepts microfilms of all categories including story films, documentary films, animations, and feature films.

Step 1  Register your interest for the competition. Participants can receive information about the competition via email.

Step 2  Start producing your microfilm(s).

Step 3  Submit your microfilm(s) from 1 January 2026 to 28 June 2026.

Categories

The Competition is split into 2 main categories:

OPEN category
  • Open to Singapore Citizens, PRs (even if studying or residing overseas) and/or non-Singaporeans/PRs residing in Singapore
  • Participants in this category must not be full-time students
STUDENT category
  • Open to Singapore Citizens or PRs (even if studying or residing overseas) and pursuing a full-time educational course. (The Organisers reserve the right to request participants to submit any such proof of academic pursuits at said educational institution)

All Participants must be aged 13 and above. Participants below the age of 18 are required to submit a signed consent form from your parent or legal guardian together with your Film submission. Click here for the consent form.

  • Deadline to register interest:
    31 December 2025 23:59 (Click for registration form
  • Sharing session:
    1 November 2025, Saturday (View details and sign up
  • Submission period:
    1 January 2026 to 28 June 2026 23:59
  • “Singapore Online Video of the Year” Nomination period:
    1 January 2026 to 17 September 2026
  • “Most Popular Micro Film” Voting:
    17 August 2026 to 17 September 2026
  • Awards Ceremony:
    24 October 2026, Saturday
  • File type:
    .mp4 / .mov / .avi / .wmv
  • Dimensions:
    16:9 widescreen format: 1920×1080 or 1280×720
    9:16 portrait format: 1080×1920 or 720×1280
  • File size:
    No more than 450MB
  • Duration:
    Each Film shall have a minimum run length of 30 seconds and a maximum run length of 10 minutes.
  • Language:
    A submitted Film can be in any language. However, English productions are to be subtitled in simplified Chinese, Chinese productions are to be subtitled in English, and productions in all other languages are to be subtitled in both English and simplified Chinese. The title of each submitted Film shall be either in English or in simplified Chinese.
  • Opening and closing credits :
    All submitted Films must contain complete opening and closing credits. The “My Singapore Voice” Micro Film Competition logo must also be inserted at the end of the Film. (Download logo here)
  • Equipment:
    No restriction, you may use your mobile phones, tablets, cameras, etc.
  • A short synopsis of the story (no more than 150 words in either Chinese or English) must be submitted together with the Film.

    Participants must agree to the Terms and Conditions of the competition.

Registration

“My Singapore Voice” Micro Film Competition accepts microfilms of all categories including story film, documentary film, animations, and feature films.

Step 1  Register for interest for the competition before 31 December 2025. Participants can receive information about the competition via email.

Step 2  Start producing your microfilm(s).

Step 3  Submit your microfilm(s) from 1 January 2026 to 28 June 2026.

If you cannot view the form above, please click here.

Submission

“My Singapore Voice” Micro Film Competition accepts microfilms of all categories including story film, documentary film, animations, and feature films.

Step 1  Register for interest for the competition before 31 December 2025. Participants can receive information about the competition via email.

Step 2  Start producing your microfilm(s).

Step 3  Submit your microfilm(s) from 1 January 2026 to 28 June 2026.

For participants below 18 years of age, please download Parental Consent Form and submit together with your created movie.

Download “My Singapore Voice” Micro Film Competition logo which is to be inserted at the end of your microfilm.

Nomination

Singapore Online Video of the Year

Submit your nomination now for the "Singapore Online Video of the Year" award!

Nominate any online video which best represents Singapore. The producer/production company of the selected short film will receive an S$800 cash prize. Should your nomination become the award winner, you will have the chance to win a cash prize of S$200. Both Nominators and Nominees will be invited to attend the Microfilm Competition Award Ceremony.

  • The nominated video must contain Singapore related theme/s and must have been published on an online platform. Multiple nominations by an individual are accepted. The publication date of the video has to be from 1 January 2025 to 30 June 2026. The nomination period is from 1 January 2026 to 17 September 2026.
  • Should there be 2 or more nominators for the award-winning video, the prize will be allocated via a randomised lucky draw to only ONE (1) of the nominators.
  • The Organisers, in their sole discretion, may prohibit or disqualify any nomination deemed inappropriate. The Organisers also reserve the right to refuse to screen a video.
  • The Organisers reserve the sole and absolute right to determine video eligibility for the Competition. All decisions made by the judges are final, binding, and conclusive, and will not be disclosed to participants or the public. Neither objections nor appeals will be entertained.

Awards & Prizes

Award Ceremony

All participants will be invited to attend the award ceremony on 24 October 2026. The list of winners will also be published on zaobao.com.sg and the Micro Film Competition website.

Judges

Eva Tang

Filmmaker

Eva Tang's artistic career is rooted in a deep love for literature and film. This foundation was established early when, as an undergraduate at the University of Hong Kong, she received the First Prize for Hong Kong’s most esteemed Chinese Literature Award for her prose. She later earned an MA in Fiction Directing at the prestigious National Film and Television School (UK).

Her student film "While You Sleep" (2002) was the first short film by a Singaporean filmmaker to be officially selected for the Venice Film Festival. This was followed by invitations to the 2009 Berlinale Talents, the 2010 Taipei Golden Horse Film Academy, and the Torino FilmLab.

Eva's debut feature documentary, "The Songs We Sang" (2015), was a critical and commercial triumph. Hailed by local media and audience as one of the best films of the year, it set a new box office record for local independent documentaries. It was also honoured as one of the Best 10 Films in 2016 by Chinese film critic "桃桃淘电影".

Eternality Tan

Vice-Chairman, Singapore Film Society

Eternality Tan is the Vice-Chairman and Programming Director of the Singapore Film Society, where he organises film festivals and screenings year-round. He is also the Managing Director of The Filmic Eye, which focuses on film education, and an Adjunct Lecturer of film studies at the NTU Wee Kim Wee School of Communication & Information, Digipen Singapore Institute of Technology, and Nanyang Polytechnic. Eternality also started writing film reviews in 2007 and has built up a wide local and international reach with more than 3,000 reviews published on his website (eternalitytan.com), which won Best Individual Blog at the 2015 Singapore Blog Awards. Previously, he worked as a Film Analyst at Netflix as part of their international contingent talent.

Remi M Sali

Producer-Director, Studio59 Concepts

Remi M Sali has more than 20 years of experience creating long and short works, ranging from music videos to movie features. He is known for pushing boundaries when creating content with a strong local flavour.

Remi was an award-winning trailer producer with Singapore's national broadcaster before he returned to his first love: directing. Effectively bilingual in English and Malay, he has directed popular dramas, telemovies, info-ed programmes and art series for local television.

Remi's passion for telling inclusive stories that explore themes of race, language, and religion resonates powerfully in his recent independent films, such as "Konpaku"(2019) and the award-winning "Not My Mother's Baking" (2020). He wrote and co-produced a Singapore independent movie set entirely in the Netherlands, "Salam Gembira" (Happy Greetings / 愿你幸福), featuring Dutch and Singapore artists. He is currently directing a travel series that covers the Middle East, Europe, and Asia.

Chow Wai Thong

August Pictures Founder and Managing Director

August Pictures' founder and managing director, Chow Wai Thong, is an industry veteran recognized for his zealous commitment to producing high-quality factual programming and original dramas. Chow is a seasoned independent executive producer and director whose work has received numerous international accolades and nominations, including recognition from the Golden Horse Awards, New York Film Festival, Asian Academy Creative Awards, Asian Television Awards, Asian Content Awards, and the Star Awards.

Wai Thong also collaborated on two co-productions with Taiwan and Malaysia: "Snow In Midsummer (五月雪)" and "Amah's Miseries (金兰荖叶)”, the latter of which won the Grand Prize at the 2022 Golden Horse Film Project Promotion (FPP). Both films were directed by Chong Keat Aun, a Golden Horse Award-winning filmmaker.

Beyond production, Chow has served as a contributing judge for prestigious competitions, including the 2022 International Emmy® Awards, the New York Film Festival, the Asian Academy Creative Awards, the Asian Television Awards, and The Star Awards. Dedicated to his craft, he continues to develop compelling local content with global appeal and entertainment value.

Foo Tee Tuan

Director, Centre for Chinese Studies, Singapore University of Social Sciences

Associate Professor Foo Tee Tuan, PhD (Ohio University, 2004) is the Director of Centre for Chinese Studies (CCS) at the Singapore University of Social Sciences (CCS@SUSS). He is also the director and one of the curators for the Singapore Chinese Film Festival. Before joining SUSS, he served at Nanyang Technological University (Singapore) and Fu Jen Catholic University (Taiwan). Over the years, he taught courses in television production, visual communication, global media, and Asian cinema.

Thomas Lim

Film Financier, Producer and Director
Former Head of Sun Entertainment Los Angeles

Thomas Lim is a Singaporean film financier, producer and director living in Los Angeles. In the U.S., he served as Head of Sun Entertainment Los Angeles, where he financed projects such as the Sundance Film Festival hit “Palm Springs” (starring Andy Samberg) Netflix’s “The Starling” (starring Melissa McCarthy) and “The Desperate Hour” (starring Naomi Watts).

In Asia, Lim is best known for directing and writing feature films “Roulette City” and “Sea of Mirrors”. Both films garnered immense press, screened at numerous festivals and cinemas, and were incorporated into the curriculum and exams at the University of Southern California (USC) in Los Angeles, widely regarded as one of the best film schools in the world.

Boris Boo

Director, Content Development

Boris Boo graduated from Beijing Language and Culture University and is a veteran filmmaker with nearly 30 years of experience in both screenwriting and production. To date, he has more than 30 film and TV projects under his belt. Early in his career, the film Just Follow Law—which he co-wrote—was nominated for Best Original Screenplay at the 44th Golden Horse Awards. His TV work includes Dun Worry Be Happy series, Singapore’s longest-running sitcom, and the 132-episode drama Recipe of Life. In 2009, he transitioned into directing and has since helmed eight feature films, including Greedy Ghost, Filial Party, and Lucky Boy. His short-form works, such as K.O. and Love On Cavenagh Bridge, have also done well in both local and international festivals. In 2023, he wrote the original TikTok micro-drama Miss Tanya, which garnered over 100 million views.

Tan Ing How

Editor
Chinese Current Affairs

With a robust background in both cross-cultural communication and multimedia production, Ing How has built his career across diverse locales—including Singapore, Taiwan, the U.S., and China. His experience spans theater, advertising, film, and television. He currently produces current affairs programs for television.

Wang Shu Yang

Editor of Audio and Video Content, Lianhe Zaobao

Currently the Editor of Audio and Video Content at Lianhe Zaobao, Shuyang has over 15 years of experience in the media industry. She has witnessed and was deeply involved in the transformation of a traditional newsroom from print-centric reporting to multimedia storytelling. Her team’s current affairs productions have been recognised with multiple international awards.

She studied engineering at the University of Cambridge, and international relations at John’s Hopkins SAIS, but spent much of her time outside the lecture halls in art-house cinemas—an experience that shaped her later passion for visual storytelling. Most recently, she served as Executive Producer of the documentary series Artists of An Isle (艺述岛国, 2025), which breathes cinematic language into journalistic works.

Tips for Beginners

Microfilm Production - Tips for Beginners
*Prepared by Ong Chao Hong, Ngee Ann Polytechnic Associate Lecturer

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First mission: A script

Tab 1 Image
  1. Study other microfilms to get a sense of the story structure and production scale.
  2. Study the 3-act structure:
    • Setup: Introduce characters and setting
    • Confrontation: A series of obstacles or challenges the character faces
    • Resolution: The problem is resolved after a series of struggles
  3. Avoid being overly melodramatic and avoid stereotypical characters.
  4. Keep the plot within reason but beyond expectations.
  5. Keep dialogue economical. Every line should either:
    • Reveal something about the character and/or
    • Move the plot forward
  6. Keep the film visual and don’t rely too much on talking heads.

Pre-Production

Form your crew. A basic film crew might include:

  1. Producer: Organizes and manages the production.
  2. Director: The “artistic director” of the film; provides guidance to actors.
  3. Director of Photography: In charge of the camera and lights.
  4. Sound Recordist: Records sound on set.
  5. Production Designer: Designs the overall visual style, source for props and costumes, dresses the set, oversees makeup and hairstyle.
  6. Editor: Manages the postproduction of the film.

Production

  1. Always check your focus and set your white balance.
  2. Do not overuse zooms and camera movement. Know why you are using a specific effect before using it.
  3. Compose each shot as a painter would compose a painting.
  4. Casting is important. Choose actors of the appropriate age for each character.
  5. Choose appropriate props, costumes, hairstyle, set dressing, etc.
  6. Good, clean sound is important.
  7. Avoid continuity mistakes.

Post-Production

  1. Consider “cutting on action” to make sequences flow more smoothly.
  2. Avoid fancy transitional effects. Again, know why you are using a specific effect before using it.
  3. Observe the 180 degree rule, screen direction and other continuity rules.
  4. Reaction shots during dialogue scenes make the scene more interesting and dynamic.
  5. Select appropriate music to suit the mood, pace, and cultural flavor of the scene.
  6. Consider adding appropriate sound effects to enrich the sound design.
  7. Add English subtitles if your film is in Mandarin and Chinese subtitles if your film is in English.
  8. Ensure you have the right export settings before exporting.
  9. Watch through your film after exporting to ensure that there are no glitches.

Ong Chao Hong: I believe there are no definite rules in filmmaking and certainly no right or wrong way. You don’t have to follow everything I say, or agree with everything I say. What's more important is that you believe in your own choices. Nobody ever said that an overexposed shot is "wrong", but you have to be prepared to explain why you chose to use an overexposed shot. You are the artist. You have the choice of expression. Make the choices wisely!